Anita Desai's India: The Religious Plague, Holocaust, Decadence and Remembrance - Paperback

by Harjot Banga (Author)

This research intricately examines the reverberations of the Partition of India in 1947, with a focused exploration into the marginalisation endured by the Muslim community in its aftermath. Through a meticulous historical analysis, the study elucidates the socio-political and cultural forces at play during this pivotal period of Indian history. What sets this research apart is its innovative incorporation of Anita Desai's literary masterpieces, notably Clear Light of Day and In Custody, as a unique vantage point for understanding the Muslim experience post-Partition. Negotiating the complexities of historical and literary analysis presents a notable challenge, as does sensitively addressing the profound ramifications of marginalisation. Methodologically, the research employs a multidisciplinary approach, blending historical research methods with nuanced literary interpretation. The findings unearth the nuanced layers of Muslim marginalisation, shedding light on its subtle yet pervasive manifestations. The research's novelty lies in its interdisciplinary framework, seamlessly weaving together historical inquiry and literary exploration to offer a holistic understanding of the enduring impacts of Partition. Ultimately, this study bears significant implications for academia, fostering cross-disciplinary dialogue and enriching perspectives on the enduring legacy of Partition in India.

Author Biography

Harjot Banga, a PhD Candidate at the University of Turin and Genoa, specialises in Anglophone Postcolonial Literature with a specific emphasis on India with reference to the Digital Humanities. From September 2021 to October 2023, he taught English Language and Literature at Italian high schools. Since November 2023, he has been a member of the Department of Foreign Languages and Literature at the University of Turin. His upcoming paper will be published in Postcolonial Interventions: An Interdisciplinary Journal of Postcolonial Studies. Apart from his academic pursuits, Banga also engages in writing poetry and prose and finds expression through painting.