Marks She Made: The Art and Architecture of Begum Samru - Hardcover
by Mrinalini Rajagopalan (Author)
Begum Samru (c.1750-1836) was a remarkable north Indian ruler who used art and architecture to consolidate her social, political, and financial power in early modern India. Rising from the courtesan households of Mughal Delhi, she became commander of her own mercenary army and later the sovereign of Sardhana, an independent territory near Delhi. A trusted ally of both the Mughal emperor and the English East India Company, she corresponded with two popes and with King Louis Philippe of France, exchanging portraits, letters, and architectural plans. Art and architecture were central to shaping her identity--as a powerful yet non-threatening ruler, a Catholic patron, and head of a cosmopolitan court. Her story illuminates how women outside hereditary privilege forged paths to recognition, authority, and even global visibility in nineteenth-century India.
Marks she made explores the remarkable life of Begum Samru, a North Indian ruler, who rose from courtesan to sovereign, using art and architecture to navigate power in the nineteenth-century.
Samru commanded her own army, hosted a cosmopolitan court, and maintained political alliances with the Mughal emperor, the English East India Company, and European powers. The book traces how she used visual and material culture--including religious patronage of the Catholic Church--to position herself as both powerful and non-threatening. It examines her correspondence and gift exchanges with popes, monarchs, and emperors, and reveals how she navigated local and global expectations of sovereignty, gender, and religion. By focusing on the material and visual strategies that underpinned her authority, the book offers a new perspective on how women operated in the public and political sphere in nineteenth-century South Asia. This is a significant study of gender, power, and self-fashioning in a world shaped by empire, religion, and image.Mrinalini Rajagopalan is Associate Professor in the Department of History of Art and Architecture at the University of Pittsburgh
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