{"product_id":"rethinking-reich-paperback","title":"Rethinking Reich - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eSumanth Gopinath\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003cem\u003eRethinking Reich\u003c\/em\u003e brings together new perspectives on one of America's greatest contemporary composers. Offering a critical engagement with Steve Reich's prominence in the numerous, overlapping, and contentious worlds of contemporary classical music, these tightly focused and multifarious essays reassess the composer's contribution to music in the twentieth century.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003ePwyll ap Siôn is Professor of Music at Bangor University, Wales. He studied music at Oxford University. Ap Siôn has published books and articles in the areas of minimalist and postminimalist music, quotation and intertextuality in music and minimalist music in film and media. He has contributed record reviews and articles for \u003cem\u003eGramophone\u003c\/em\u003e music magazine since 2007. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eSumanth Gopinath is Associate Professor of Music Theory at the University of Minnesota-Twin Cities. He is the author of \u003cem\u003eThe Ringtone Dialectic: Economy and Cultural Form \u003c\/em\u003e(2013), co-edited \u003cem\u003eThe Oxford Handbook of Mobile Music Studies\u003c\/em\u003e, vols. 1 and 2 (2014) with Jason Stanyek, and has published work on Steve Reich, minimalism, new media, Marxism, country music, and other topics. He is the leader of the independent Americana band, The Gated Community. \u003cstrong\u003eContents\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eAcknowledgments \u003cp\u003e\u003c\/p\u003eContributors\u003c\/em\u003e \u003cp\u003e\u003c\/p\u003e\u003cstrong\u003eIntroduction: Reich in Context\u003c\/strong\u003e\u003cbr\u003eSumanth Gopinath and Pwyll ap Siôn \u003cp\u003e\u003c\/p\u003e\u003cstrong\u003ePart I Political, Aesthetic, and Analytical Concerns\u003c\/strong\u003e\u003cbr\u003e1. \"Departing to other spheres\" Psychedelic Science Fiction, Perspectival Embodiment, and the Hermeneutics of Steve Reich's \u003cem\u003eFour Organs\u003cbr\u003e\u003c\/em\u003e-- by Sumanth Gopinath \u003cp\u003e\u003c\/p\u003e2. \"Moving Forward, Looking Back\" Resulting Patterns, Extended Melodies, \u003cem\u003eEight Lines\u003c\/em\u003e, and the influence of the West on Steve Reich \u003cbr\u003e-- by Pwyll ap Siôn \u003cp\u003e\u003c\/p\u003e3. Different Tracks: Narrative sequence, Harmonic (Dis)continuity and Structural Organization in Steve Reich's \u003cem\u003eDifferent Trains \u003c\/em\u003eand\u003cem\u003e The Cave\u003c\/em\u003e\u003cbr\u003e-- by Maarten Beirens \u003cp\u003e\u003c\/p\u003e4. \"We are not trying to make a political piece\" The Reconciliatory Aesthetic of Steve Reich's \u003cem\u003eThe Cave\u003cbr\u003e\u003c\/em\u003e-- by Ryan Ebright \u003cp\u003e\u003c\/p\u003e\u003cstrong\u003ePart II Repetition, Speech, and Identity\u003c\/strong\u003e\u003cbr\u003e5. Repetition, Speech, and Authority in Steve Reich's \"Jewish\" Music\u003cbr\u003e-- by Robert Fink \u003cp\u003e\u003c\/p\u003e6. Steve Reich's Dramatic Sound Collage for the Harlem Six: Towards a Prehistory of \u003cem\u003eCome Out\u003c\/em\u003e\u003cbr\u003e-- by John Pymm \u003cp\u003e\u003c\/p\u003e7. From World War Two to the \"War on Terror\" An Examination of Steve Reich's \"Docu-Music\" Style in WTC 9\/11\u003cbr\u003e-- by Celia Fitz-Walter \u003cp\u003e\u003c\/p\u003e\u003cstrong\u003ePart III Reich Revisited: Sketch Studies\u003c\/strong\u003e\u003cbr\u003e8. \"Save as ... »\" Hybrid Resources in the Steve Reich Collection\u003cbr\u003e-- by Matthias Kassel \u003cp\u003e\u003c\/p\u003e9. Sketching a New Tonality: A Preliminary Assessment of Steve Reich's Sketches for\u003cem\u003e Music for 18 Musicians\u003c\/em\u003e in Telling the Story of This Work's Approach to Tonality\u003cbr\u003e-- by Keith Potter \u003cp\u003e\u003c\/p\u003e10. Improvisation, \u003cem\u003e Two Variations on a Watermelon\u003c\/em\u003e, and a New Timeline for \u003cem\u003ePiano Phase\u003c\/em\u003e\u003cbr\u003e-- by David Chapman \u003cp\u003e\u003c\/p\u003e11. Steve Reich's \u003cem\u003eCounterpoints\u003c\/em\u003e and Computers: Rethinking the 1980s\u003cbr\u003e-- by Twila Bakker \u003cp\u003e\u003c\/p\u003e\u003cstrong\u003ePart IV Beyond the West: Bali, Buddhism and Africa\u003c\/strong\u003e\u003cbr\u003e12. Afro-Electric Counterpoint\u003cbr\u003e-- by Martin Scherzinger \u003cp\u003e\u003c\/p\u003e13. That's All It Does: Steve Reich and Balinese Gamelan\u003cbr\u003e-- by Michael Tenzer \u003cp\u003e\u003c\/p\u003e14. \"Machine Fantasies into Human Events\" Reich and Technology in the 1970s\u003cbr\u003e-- by Kerry O'Brien\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 416\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 1 x 9.2 x 6.1 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e May 10, 2019\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":53057844707552,"sku":"9780190605292","price":114.91,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0811\/5909\/4496\/files\/QPoh7yaa8i9780190605292.webp?v=1781383830","url":"https:\/\/improvedinc.myshopify.com\/products\/rethinking-reich-paperback","provider":"Improved Improper Input Inc.","version":"1.0","type":"link"}