The Creation of Place or Gardens of Sesshu 　創造される場所または雪舟
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by Junichi Wajda (Author)

During the Muromachi period (15th century) in Japan, the painter-monk Sesshu Toyo left behind over fifty authentic works, including six national treasures. Not only in painting, but also in garden design, he created magnificent and elegant gardens. However, there is no supporting evidence specifically attributing these gardens to Sesshu.
　Nevertheless, even if the authenticity remains uncertain, or if time has altered the form of the gardens, perhaps what is more important is not their authenticity (being real) but their vitality (being alive). Yet, in the face of these vast and awe-inspiring spaces, we may be perplexed about what we should find within them, as we do not share the spatial style of the Muromachi period.
　It is said that Zen gardens conceal one essential point that is not explicitly revealed. However, in Sesshu's gardens, it seems that multiple perspectives are intentionally arranged. By abandoning the notion of a single viewpoint and embracing a multifaceted approach, the complete panorama of Sesshu's garden, which draws viewers into the space, begins to emerge.