Zen and the Art of Deprogramming (Vol. 2, Lipstick and War Crimes Series): Letting go of social engineering - Paperback

by Ray Songtree (Author)

Vol 2 Zen and the Art of Deprogramming - Letting Go of Social Engineering is the Zen edition of Vol 2 of the Lipstick and War Crimes Series by Ray Songtree. It includes the Zen, Christian, and Indigenous introductions to the previous Vol. 1 of series.

Zen actually means Zen Buddhism which the author became familiar with as a young man through Kobun Chino Roshi, who was also the sensei of Steve Jobs of Apple Inc. This deep yet wide book covers our present social conditioning and who is behind it. Young people will be familar with the many music industry celebrities who are outlined.

From George Washington to the Grammy award Divas, with over 350 color images, Vol 2 is a provocative expos of our undiscussed social engineering. Does social engineering weaken our moral judgement and our ability to assess our impact on world? Who profits? Who is shaping us?

"He brings dry to wet and wet to dry ... no genre works to describe it." - Sandra Bains

"Finally spirit for environmentalists and down to Earth talk for New Age." - Jose Rodriguez

"The narratives in our heads are not ours " - Debbie Lee

Cast of Characters: "George Washington, Britain's Got Talent, Lady Gaga,
Walt Disney, Whitney Houston, Martin Luther King, Jennifer Lopez, Henry Kissinger, X-Factor,
chemtrails, Queen Elizabeth, Adam Lambert, Native Americans, Michael Jackson, Simon Cowell,
Bush Sr., cell phone dangers, Britney Spears, Bill Gates, Jay Z, "Sir" Collin Powell, Edward
Snowden, The Madonna Operation, Christina Aguilera, Lord Rothschild, Rihanna, the Rockefellers,
Karl Marx, Will Smith, Cynthia McKinney, Beyonc , "Sir" Alan Greenspan, Elton John, the Ebola
Operation, Anderson Cooper, Sesame Street, Nicki Minaj, Nelson Mandela, Hollywood, "Sir" Tom
Jones, Will I Am, Obamacare, ISIS, and more.

"Tricia Jenkins, author of The CIA In Hollywood, told DailyMail.com she
has recently acquired new evidence showing how the CIA worked off-the-books to influence
Hollywood scripts to an extent never previously known. She said: 'In this documentation, concerning
one major Hollywood movie, it is clear that the CIA functioned as the principle partner
in shaping the original script and its influence exceeded that which would have been filled by an
aggressive producer or studio executive.'"

Confused about the script? You won't be