Edgewater: Poems - Paperback

by Ruth L. Schwartz (Author)

"In Edgewater, her powerfully moving and redemptive third collection, Ruth L. Schwartz writes with consummate passion, precision, and honesty of the raw hungers that give rise to the world, human and natural. In poems both lyrical and grit-laced, she grapples with her twofold, central question: How can we love fully, open-eyed and openhearted amid all the flaws and beauty, each other and the world? How could we not?" --Jane Hirshfield

A popular and emerging voice in the world of poetry and winner of the National Poetry Series Open Competition

Established in 1978, The National Poetry Series has been instrumental in launching the careers of poets and writers such as Denis Johnson, Billy Collins, Mark Doty, Cole Swenson, Thylias Moss, Mark Levine, and Dionisio Martinez.

Selected by the poet Jane Hirshfield as the 2001 winner, Ruth L. Schwartz is the next poet to be added to that esteemed list. With a list of award-winning works behind her, Edgewater is yet another success for this widely anthologized young poet who will surely be writing for a long time to come.

Back Jacket

"In Edgewater, her powerfully moving and redemptive third collection, Ruth L. Schwartz writes with consummate passion, precision, and honesty of the raw hungers that give rise to the world, human and natural. In poems both lyrical and grit-laced, she grapples with her twofold, central question: How can we love fully, open-eyed and openhearted amid all the flaws and beauty, each other and the world? How could we not?" -- Jane Hirshfield

"Ruth L. Schwartz will settle for nothing less than the essential. Her passionate poems are alive to the vulnerability of the body, the daily possibility of joy, and the deep struggle not only to make sense of, but to affirm a world where the terrorists 'opened fire: / as if it were a box, now cracked, / consuming its own lid and hinges, / sparking out, unstoppable, / into the tender, / flammable world. . . "' -- Mark Doty

"Ruth L. Schwartz has reached a level of poetic maturity that we're used to seeing only in the best of our American poetry.... She assumes a public voice in these poems, which speak to us rather than at us in the way they offer moral solutions to the problems of our modern world. She does this ... by reaching after and trying to understand the natural world and her place therein, and by modulating her poems with a subtle, ghostly music which has the capacity to lull us into understanding more about ourselves and about the wonderful ambiguities of living life, most fully." -- Bruce Weigl