by John H. Timmerman (Author)
Luci Shaw
"Jane Kenyon is a redemptive poet. The raw materials of her living -- the landscapes, the garden, the paradoxes of faith, depression, and illness -- form the stuff of her profound creative work. Using examples from her writings, both prose and poetry, John Timmerman perceptively describes the unfolding of Kenyon's life as a poet and shows how many of her poems happened -- their drafting and revision -- as well as how the details of her life in New Hampshire prove to be the hooks on which her marvelous poems hang."
Choice
"An appreciative reading of a poet who worked her craft so well and died so young. . . [Timmerman] makes good use of Kenyon's letters, journals, unpublished prose, and most important, drafts of poems. . . Highly recommended." New York Times Book Review
"Timmerman's minute textual analysis of [Kenyon's] poetry and his detailed demonstration of how 'the language changes, how the poem grows and comes into focus, ' as Kenyon described her creative process, is informed and enlightening." Billy Collins
"John H. Timmerman has written one of those exceptional critical biographies that always bear in mind the processes by which life and art are intimately braided together. With one eye on the dramatic journey of Jane Kenyon's life and the other on the fine details of her craft, he gives us a new perspective on the poetry and the spirit of this remarkable, too-soon-departed poet."Back Jacket
It is a testament to the enduring power and beauty of Jane Kenyons poetry that many people -- even those not particularly interested in poetry -- know her work. What forces and influences shaped Kenyons writing? And what shaped her as a person and a poet? These are the questions that John Timmerman seeks to answer in "Jane Kenyon: A Literary Life."
In the opening chapters Timmerman beautifully limns the story of Kenyons life, drawing on unpublished journals and papers of hers and recollections by her husband, the poet Donald Hall. To show how her art grew out of her life, Timmerman proceeds to explore, volume by volume, the form and substance of Kenyons work.
By frequently examining the multiple drafts that Kenyon wrote in the process of reaching a finished poem, Timmerman reveals how she winnowed and refined ideas, images, and language until a poem was honed to its essence. She was especially interested in the luminous particular, the arresting image that would focus a poem. She also took care to use simple, grounded language and natural objects and events -- often drawing on and reflecting on the life she lived at Eagle Pond Farm in rural New Hampshire.
Throughout her life Kenyon struggled with depression, but she never let it define her or her work. She also struggled with her faith almost constantly, yet her faith was unrelenting, according to Timmerman, and she still wrote poems of great beauty and spiritual consolation. Her poetry, even when very personal, reached out -- and still reaches out -- to the reader, establishing that vital thread of human connection. Indeed, as Timmerman says, Kenyons poems are soundings of the human soul.
Kenyon was cut down in the prime ofher writing life by leukemia, and Timmerman concludes by exploring Halls mourning of her death in "Without, " a wrenching collection of poems. But Kenyons voice lives on in her work, and Timmermans insightful, often moving study shows why this unique literary voice continues to touch readers with its beauty, grace, and power.
Author Biography
John H. Timmerman is professor of English Literature at Calvin University, Grand Rapids, Michigan. His many other books include John Steinbeck's Fiction: The Aesthetics of the Road Taken, T. S. Eliot's Ariel Poems, and Robert Frost: The Ethics of Ambiguity.
Number of Pages: 270
Dimensions: 0.59 x 9 x 6 IN
Publication Date: September 27, 2002